Read the article<\/a>[\/et_pb_blurb][et_pb_blurb use_icon=”on” font_icon=”K||divi||400″ icon_color=”#7B819E” icon_placement=”left” image_icon_width=”22px” content_max_width=”100%” _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”]Review of the art book \u2018The Impressionists at Leisure\u2019 (Pamela Todd, 2007, Thames & Hudson), \u2018The Art Book\u2019 (Vol.15, Issue 4, 2008, \u03c3. 75-76).[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|phone” _builder_version=”4.20.4″ _module_preset=”default” custom_padding=”20px||100px||false|false” custom_padding_tablet=”20px||40px||false|false” custom_padding_phone=”20px||20px||false|false” global_colors_info=”{}”][et_pb_row custom_padding_last_edited=”on|tablet” _builder_version=”4.20.4″ _module_preset=”default” custom_margin=”||||false|false” custom_margin_last_edited=”off|desktop” custom_padding_tablet=”10px||10px||false|false” custom_padding_phone=”||10px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.20.4″ _module_preset=”default” custom_padding=”||40px||false|false” custom_padding_tablet=”||10px||false|false” custom_padding_phone=”||10px||false|false” custom_padding_last_edited=”on|tablet” global_colors_info=”{}”][\/et_pb_divider][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” header_text_color=”#7B819E” header_2_text_color=”#7B819E” header_2_font_size=”30px” text_orientation=”center” global_colors_info=”{}”]<\/p>\nLectures – Seminars<\/h2>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding_last_edited=”on|tablet” _builder_version=”4.20.2″ _module_preset=”default” custom_padding_tablet=”10px||||false|false” custom_padding_phone=”10px||||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”http:\/\/artvaluation.gr\/wp-content\/uploads\/2023\/04\/dialekseis-img.jpg” title_text=”dialekseis-img” align=”center” _builder_version=”4.20.4″ _module_preset=”default” custom_margin=”||5px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” text_font=”||on||||||” text_text_color=”#a8a8a8″ text_font_size=”16px” global_colors_info=”{}”]Johannes Vermeer, ‘The Art of Painting’, 1666-1668, oil on canvas, 120 x 100 cm, Kunsthistorisches Museum Wien (Image source: Google Art Project, public domain)[\/et_pb_text][et_pb_blurb use_icon=”on” font_icon=”K||divi||400″ icon_color=”#C4004D” image_icon_background_color=”RGBA(255,255,255,0)” icon_placement=”left” image_icon_width=”22px” content_max_width=”100%” _builder_version=”4.20.4″ _module_preset=”default” custom_margin=”||10px||false|false” locked=”off” global_colors_info=”{}”]Art Collections & Real Estate\u201d, presentation at the workshop: \u201cPersonal Property: Art & Antiques\u201d, RICS in Greece, Museum of Cycladic Art, April 2023[\/et_pb_blurb][et_pb_blurb use_icon=”on” font_icon=”K||divi||400″ icon_color=”#C4004D” image_icon_background_color=”RGBA(255,255,255,0)” icon_placement=”left” image_icon_width=”22px” content_max_width=”100%” _builder_version=”4.20.4″ _module_preset=”default” custom_margin=”||10px||false|false” locked=”off” global_colors_info=”{}”]\u201cFunction of the Art Market\u201d, presentation at the workshop: \u201cValuation of Works of Art: Data and Perspectives\u201d, Association of Greek Valuers, May 2017[\/et_pb_blurb][et_pb_blurb use_icon=”on” font_icon=”K||divi||400″ icon_color=”#C4004D” image_icon_background_color=”RGBA(255,255,255,0)” icon_placement=”left” image_icon_width=”22px” content_max_width=”100%” _builder_version=”4.20.4″ _module_preset=”default” custom_margin=”||10px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n
\u201cThe perspective of an Art Valuer\u201d, lecture with ActionPlus, Herakleidon Museum, February 2017<\/p>\n
[\/et_pb_blurb][et_pb_blurb use_icon=”on” font_icon=”K||divi||400″ icon_color=”#C4004D” image_icon_background_color=”RGBA(255,255,255,0)” icon_placement=”left” image_icon_width=”22px” content_max_width=”100%” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||10px||false|false” locked=”off” global_colors_info=”{}”]\u201cArt History Basics: A pARTicle Walk Through Western Art History\u201d, editing and presentation of a thematic seminar cycle with \u03b1\u03b8\u03b7\u039d\u0395\u0391,
\nJanuary-February 2017[\/et_pb_blurb][et_pb_blurb use_icon=”on” font_icon=”K||divi||400″ icon_color=”#C4004D” image_icon_background_color=”RGBA(255,255,255,0)” icon_placement=”left” image_icon_width=”22px” content_max_width=”100%” _builder_version=”4.20.2″ _module_preset=”default” locked=”off” global_colors_info=”{}”]<\/p>\n
\u201cArt History for Beginners\u201d, editing and presentation of a thematic seminar cycle with ActionPlus, February 2016<\/p>\n
[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
Published WritingsEug\u00e8ne-Louis Lami, ‘Interior of a Museum’, 19th century, watercolour, 33.4 x 52 cm, The Metropolitan Museum of Art (Image source: THE MET, public domain)Article \u201cArt Auctions: Why choose them\u201d, magazine \u2018Days of Art in Greece\u2019, print edition, issue 15, March 2023Article \u201c The Importance of Insurance for Works of Art\u201d, magazine \u2018\u03b4\u03b9\u03b1\u03c3\u03c6\u03b1\u03bb\u03af\u03b6\u03c9\u2019, \u0395\u0395\u0391\u0395, print edition, issue 48, December 2022, p. 26, December 2022Read the articleArticle \u201cArt Auctions: From Herodotus to NFTs\u201d, magazine \u2018Days of Art in Greece\u2019, print edition, issue 14, October 2022Read the articleRepublication on \u03b1\u03b8\u03b7\u039d\u0395\u0391Article \u201cValuation of Works of Art\u201d, scientific journal \u2018Archaeologia online\u2019, August 2018 Read the articleReview of the art book \u2018The Impressionists at Leisure\u2019 (Pamela Todd, 2007, Thames & Hudson), \u2018The Art Book\u2019 (Vol.15, Issue 4, 2008, \u03c3. 75-76).Lectures – SeminarsJohannes Vermeer, ‘The Art of Painting’, 1666-1668, oil on canvas, 120 x 100 cm, Kunsthistorisches Museum Wien (Image source: Google Art Project, public domain)Art Collections & Real Estate\u201d, presentation at the workshop: \u201cPersonal Property: Art & Antiques\u201d, RICS in Greece, Museum of Cycladic Art, April 2023\u201cFunction of the Art Market\u201d, presentation at the workshop: \u201cValuation of Works of Art: Data and Perspectives\u201d, Association of Greek Valuers, May 2017\u201cThe perspective of an Art Valuer\u201d, lecture […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-278","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/artvaluation.gr\/en\/wp-json\/wp\/v2\/pages\/278"}],"collection":[{"href":"https:\/\/artvaluation.gr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artvaluation.gr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artvaluation.gr\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artvaluation.gr\/en\/wp-json\/wp\/v2\/comments?post=278"}],"version-history":[{"count":6,"href":"https:\/\/artvaluation.gr\/en\/wp-json\/wp\/v2\/pages\/278\/revisions"}],"predecessor-version":[{"id":579,"href":"https:\/\/artvaluation.gr\/en\/wp-json\/wp\/v2\/pages\/278\/revisions\/579"}],"wp:attachment":[{"href":"https:\/\/artvaluation.gr\/en\/wp-json\/wp\/v2\/media?parent=278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}